The Slim Shady LP by: Eminem
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62 reviews
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Publisher: Polydor Group
Release date: 24th March, 2003
Media: Audio CD
Format
- Enhanced
- Explicit Lyrics
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Track List
- Public Service Announcement - Eminem, Jeff Bass
- My Name Is - Dr. Dre, Eminem, Richard "Segal" Huredia
- Guilty Conscience - Dr. Dre, Eminem, Marshall Mathers, Richard "Segal" Huredia, Mark Avery
- Brain Damage - Alan Mason, Eminem, Jeff Bass, Mark Bass, Marky Bass, Mr. B
- Paul - Eminem, Jeff Bass, Mark Bass, Paul "Bunyan" Rosenberg, Paul "Bunyan" Rosenburg
- If I Had - Alan Mason, Eminem, Jeff Bass, Mark Bass, Marky Bass, Mr. B
- '97 Bonnie & Clyde - DJ Head, Eminem, Jeff Bass, Mark Bass, Marky Bass, Mr. B, Slim
- Bitch - Eminem, Jeff Bass, Mark Bass, Zoe Winkler
- Role Model - Dr. Dre, Eminem, Mel-Man, Richard "Segal" Huredia
- Lounge - Eminem, Jeff Bass, Mark Bass
- My Fault - Alan Mason, Eminem, Jeff Bass, Mark Bass, Marky Bass, Mr. B
- Ken Kaniff - Eminem, Jeff Bass, Aristotle, Mark Bass
- Cum On Everybody - Alan Mason, Eminem, Jeff Bass, Mark Bass, Marky Bass, Mr. B
- Rock Bottom - Dr. Dre, Eminem, Jeff Bass, Mark Bass, Markey Bass, Richard "Segal" Huredia
- Just Don't Give A F** - Aaron Lepley, Eminem, Jeff Bass, Mark Bass, Marky Bass, Mr. B
- Soap - Eminem, Jeff Bass, Mark Bass, Royce Da 5-9
- As The World Turns - Aaron Lepley, Eminem, Jeff Bass, Mark Bass, Marky Bass, Mr. B
- I'm Shady - Alan Mason, Eminem, Jeff Bass, Mark Bass, Marky Bass, Mr. B
- Bad Meets Evil - Eminem, Jeff Bass, Mark Bass, Marky Bass, Marshall Mathers, Mr. B, R. Montgomery, Royce Da 5-9
- Still Don't Give a F*** - Eminem, Jeff Bass, Mark Bass, Marky Bass, Marshall Mathers, Mr. B
Editorial Review
On The Slim Shady LP, Eminem wants it all. He is conflicted, you see; the world has treated him badly, and he wants to respond in kind. But he isn't a straight-up gangsta--this is, after all, the first release on Dr. Dre's Aftermath Records, his post-Death Row-era venture--and Eminem (born Marshall Mathers) doesn't really want anyone to follow in his footsteps, which leads to some interesting contradictions on this album. In the first single, "My Name Is", he's self-deprecating, rapping about his poor upbringing and his hairy palms. But on the very next song, "Guilty Conscience", he plays the devil to Dr. Dre's angel--that is, until Eminem brings up an incident from Dre's devilish past, rapping, "You gonna take advice from someone who slapped Dee Barnes?" Later, on "'97 Bonnie & Clyde", he turns Will Smith's "Just the Two of Us" on its ear, making it a tale of murder; but on "My Fault", he actually feels bad--though whether it's for the girl he overdosed or for himself is tough to figure out. With his nasal Midwestern tone, Mathers has a clean, clear flow, and the production--by Dr. Dre, Marky, and Jeff Bass--is crisp but consistently fun. Eminem has some serious skills, and he makes for some great tunes--but the lyrics are as morally reprehensible as they get. --Randy Silver
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Rating:
- Still Raw as Botulism!
I picked up this disc the other day for what must be the 1000th time & STILL found something new in it! If CD's wore out, then this one should have. Long ago. Fortunately it hasn't & its contents have, as yet, failed to fade with the passage of time.
Although there are some tracks that lack power (e.g. 'If I Had' & 'Role Model'), most of the other tracks have amazing lyrics & such economy of language that you'll be discovering the meaning behind a word or phrase for years to come.
For instance, a friend pointed out to me that ''97 Bonnie & Clyde' was the 2nd part of 'Kim' off Marshall Mathers LP & suddenly 2 songs which seemed completely different (one subtle, one brutal) made sense as one piece...
There is also tracks such as 'Rock Bottom' (about being down in the dumps), 'As the World Turns' (a surreal day-in-the-life of Eminem) & 'Bad Meets Evil' (Eminem as a Wild-West villain), which are the type of thing that other artists would *dream* of having on their first album. It's like watching Bruce Lee in action - all your frustrated rage finds its voice & its expression in the words &, paradoxically, you feel chilled out by something that should stress you out!
Anyways, I suppose what I'm saying is that this record hasn't aged. I look at 'OK Computer' & 'Blur'-Blur (from the same time) & they don't really compare; this record is densely & fully packed with Eminem at his brightest & sharpest before he went ad nauseam on 'Marshall Mathers LP'.
Although fame didn't ruin Eminem, it certainly did distort his playful wit & it's a truly excellent thing that this CD is there (like 'Definitely Maybe' or 'Prodigy Experience') to remind us all of what good music REALLY is - raw, passionate (in the true sense) & powerful, in a way that the 'Jedward's' of this World couldn't possibly fathom...
Rating:
- Eminem Slim LP
This artist is a genius.. lyrically insane.. the most famous rapper and of course the best rapper of all time!!! Highly recommended!
Rating:
- Slim's not dim
Eminem's lyrics have mostly been quite intriguing and lively and this carries on in the same vein. Not for the faint hearted or prude!
Rating:
- If Only He Had Stayed Like This
I still say that this is Eminem's masterpiece, his darkest album, and the soundtrack of his darkest hour. It also ploughs the sinister and disturbing recesses of Marshall Mathers' mind, spilling them all out with a lack of reservation which is stunning.
As is so often the case, Dr. Dre's production is impeccable, and what he can do with electronic sound is akin to what some artists can do with paint. Instantly recognisable 'My Name Is' often gets a panning by the artist himself, but it's his signature tune with good reason, being an expert masterclass in uncompromising lyrics, an assault of bad taste and shocking statements, one after the other: BANG, BANG, BANG!
And then Marshall gives us a sad and truly heartbreaking insight into his past in 'Brain Damage', all the while giving us clues as to why he ended up being one of the most aggressive, angry men in the history of music. 'If I Had' is also sober and thought-provoking, giving us more of an insight into the psyche of Marshall Mathers than most of his recent output. Drugs, frustration, anger, sorrow and boredom are all there, as well as poverty and a sense of humour, making this a classic of modern times, easily one of the best and most honest post-modern rap albums.
But key to this fantastic honesty and unflinching realism was the fact that this was recorded whilst Eminem was still relatively unknown, living a life of abject hardship with only a dream of something better to keep him warm - in fact that tone is all over this album.
Dark humour adorns 'Role Model', whilst heart-rending despair paints 'Rock Bottom' a murky grey, and in one of the finest moments of his career, Eminem gives us empathy and truly highlights the plight of the USA's underclass. Rap just doesn't come any better than this.
Eminem's trademark nonchalance and defiance are all over 'I Just Don't Give A F**k', whilst 'Still Don't Give A F**k' amuses with it's gobbiness, and 'Bad Meets Evil', featuring Royce Da 59 shows yet more dark humour and smart-assed rapping. The most disturbing song on the album is '97 Bonnie and Clyde', a grim fantasy of separation from his other half, of the permanent kind. It shows at least how willing Eminem is to voice the thoughts which most of us never would. People accuse Eminem of misogyny but never bother to dig beneath the surface - of course a man whose mother didn't raise him properly has issues with women, just as a women who has a bad father would have issues with men... makes sense, really. But above all that, Eminem's love for his daughter shines through.
This is an incredlbly important album, and around album three, the grit and realism of it looked further and further away. Eminem is capable of genius, in the form of this album, and I am certain that at some point in his career, if he wants to, he can return to it.
Rating:
- Just realised
Upon listening to this albumn again for aboun the thounsanth time I realised how good this albumn actually is I would always have said that this albumn is amazing but this albumn should be one of the top 10 rap albumns of all time I meen not 1 song deserves less than 8 out of ten and more than 80% of this albumn is worth 10 out of 10
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